Plot Summary:
Max Sumner is the son of a renowned British archaeologist named Horace Sumner. Horace was a frequent explorer and was went missing in an expedition to Spain. Max, is a young boy living in the suburbs of Minnesota, and he and his three friends, Natalia, Ernst, Harley form a gang called The Grey Griffins, and decide to take up his father’s will. They collects the remains of his father’s collection artifacts and discover that his father’s life-long quest was to seek out the evil sorcerer, Iver Allenson, and banish him from the mortal world.
In their father’s collection, the Grey Griffin’s discover a deck of cards has the ability to summon real monsters to battle. They discover that, contained within cards, lies the ability to destroy legendary Iver. The friends travel to distant lands, such as Boston, Chicago, and Seattle, to seek out the legendary Iver, but Iver becomes aware of their plans, and seeks to stop them before they succeed. Iver sends out ancient legendary creatures, such the Blue-Eyes White Dragon, Majin-Boo, the Slayer Goblins, Liu Kang, and worst of all, the Shadow King. The Shadow has the ability to shadow kick, it is called a shadow kick because it kicks so fast it does not leave a shadow. The Shadow King can also teleport anywhere, transform into any monster he wants, and read other people’s minds. This becomes a big problem for The Grey Griffin’s soon as they discover that the Shadow King is actually Iver Allenson’s long lost son Ryu Hayabusa, who has power greater that any evil lord in mortal history. Ryu seeks revenge for being imprisoned for 1,000 years at the cave of Azeroth by his father, Iver. Realizing that his son, Ryu’s, powers will grow far too great for him, Iver makes a deal with the Grey Griffin’s to unite in a force of one and overthrow new dark Lord Ryu. The story ends in the city of Miami, where the Shadow King transforms into a combat master by the name of Tony Cha, and betrays his father by kicking him into a football stadium. Ryu begins to summon an evil army for to destroy the world, and it is up to the four brave kids to stop him.
Setting:
The story takes place in Back Street, Minnesota, located in the United States, it takes place in the 21st Century. Max is an eleven year old who lives in his mother, Azalea, in a big mansion they inherited from their father Horace. The neighbourhood is made up of cranky old neighbours who can’t speak English properly, and always come to their doors and harass them with a very bad cockney accent. As a result of this Azalea never opens the door.
Max’s gang, the Grey Griffin’s travel to legendary cities such as Boston, Chicago, and Seattle, to seek the evil Lord Iver. While in each city’s urban night life scene, they come across different monsters to battle because monsters are hard to see in the dark. Using her mother’s credit card, Natalia manages to book a number of hotels in which they stay in, they use the credit card for money and other needs. The story ends in the city of Miami, there are a few events in the story where the characters go investigate strange occurrences of evil spirits on the shores of Miami Beach.
Characters:
Max Sumner:
Max Sumner is boy genius, who is suffers from terminal testicular cancer. He does not know about his cancer, but he very ambitious and wishes to understand his father more. He is secretly in love with Natalia, who he soon find out, is actually his brother in disguise, but he ignores this because he believes that true love knows no boundaries.
Natalia:
Natalia is a girl who is actually a boy in disguise. Her/his parents are very sensitive to her actions, and always make her stay home. She is very pretty, but not very girlish. She often escapes out the window with her mother’s credit card. She is responsible for paying off for the Grey Griffin’s expenses while they fight the evil lord Iver.
Ernest:
Ernest is also a boy genius much smarter than Max. Because of this Max is very frustrated with him and would often make him take off his shirt so he can make fun of the freckles on his armpits. He has a lot of hair on his chest and back, not common for an eleven year old. Sometimes he would cut the hair off his chest to glue it onto his chin to make it look like a beard.
Harley:
Harley is a eleven year old body builder who looks like he is thirteen years old because he has a lot of muscles. He is the tough-guy in the gang but is not afraid to use his head, to bash other people.
Problems and features:
The main problems that the main characters in the story face is the always battle between good and bad and their for revenge heir father’s death. In one time, Max loses all his money because the evil lord Iver has sent a thief to steal his wallet. After this, Max asks about God, is he an really all good and cares about the good of people, or does he not care at all. If not does God care about people, then does he exist?
Other problems presented also include Natalia’s want to become a boy. She feels that she is a girl trapped inside a boy’s body, but she seems like a girl. She wants people to really believe that she is a girl. Even though people think that she is a girl, she does feel comfortable about this, because she believes she is not really one. Even though she feels one way, she was made another way. She does not understand whether or not human beings are truly free, if so, why is there something to stop her from becoming what she wants?
Tuesday, February 16, 2010
Thursday, August 20, 2009
Prison Break Review
The views expressed in the following are strictly the views of the writer or myself. If you find the content offensive then please be content with the outcome.
Not long ago, Fox decided to premiere a new show series called ‘Prison Break’. What was this show about, the title explains all. More in depth, it is about structural engineer who tries to break his innocent brother out of prison by becoming a convict within the prison. The rest of the episodes revolve around irritating back-stories, obstructive situations, conspiracies, and other convicts who wish to join the break out, and you guessed it, their back stories as well.
When I first saw the series premiere, it seemed alright. The acting was decent, the story was good. And it was good, for the first episode. All that just went downhill. When you watch a show, movie, documentary, cartoon, about a prison break, do you think of a 61 episode series spanning 4 seasons. I mean, you can only have so much to say about a simple plot. Making this enormous television series about a prison break is like making a feature film trilogy about brushing your teeth; sure it’s possible but it would be ridiculously implausible. How can anyone go on about something that should have concluded in the 3rd episode?
Take the greatest prison break movies ever made for instance, Shawshank Redemption, The Great Escape, and documentaries about prison breaks, as well as news reports and so on. And think about their timeframes. The Shawshank Redemption took two and a half hours to tell a story spanning 20 years as well as character side plots and plot twists. “Prison Break”, let’s see 61 episodes x 1 hr per episode that’s 61 hours to tell a painfully long prison break, which isn’t even close to coming to an end.
You might argue the producers wish to put more detail so it seems more interesting, well, THERE is a fine line between details and details you don’t need to know about (also known as bullshit). Take Shawshank Redemption for instance, the details provided in the movie strictly refer to…. Uh let’s see, breaking out of prison, maybe. In a episode of Prison Break, generally speaking, the only part which relates to breaking out of prison is the series title. I mean talk about details like you DON’T need to know like how Sculfield (the protagonist) has to go rescue the prison doctor, whom he has a love affair with, while other members of his gang continue to dig a hole to freedom. Is it just me, or is it a convenient time to have a random love affair with a woman who you barely know, when you have to break your brother out of prison to save him from dying? THAT was only in the first season, the season which just remotely relates to prison breaking. As the series continues, unfortunately, the plot starts revolving around smuggling people out of the country, evading federal agents, and ‘holy mother of the God of Stupidity!’, being incarcerated into another prison which they have to break out of. Seriously folks, if the series title even remotely relates to the series itself, it would be called, “Gang of Prison Breaking Dipshits who have to evade the Corruption of Federal agents while sentimentally reflecting on their Lives and getting caught up in add-on sub-plots”.
I think I have made my point clear (but probably not clear enough as I rushed this article in 30 minutes), the producers of Prison Break suck. They suck because they do not understand the difference between cliché main plots that can sustain 61 plus episodes of add-ons sub-plots and reasonable main plots that cannot. You would have to be somewhat of an imbecile to not see that Prison Break is a run on series that should have ended when the goal was achieved (which was breaking out of Prison). Since Prison Break’s premiere season received good ratings, Fox decided to cash in, they decided to keep the title of the popular series and lose the motif, as well as sensibility. So do quality television programs a favour, don’t buy into add-on sub plots with irrelevant details, DON’T watch prison break!
Not long ago, Fox decided to premiere a new show series called ‘Prison Break’. What was this show about, the title explains all. More in depth, it is about structural engineer who tries to break his innocent brother out of prison by becoming a convict within the prison. The rest of the episodes revolve around irritating back-stories, obstructive situations, conspiracies, and other convicts who wish to join the break out, and you guessed it, their back stories as well.
When I first saw the series premiere, it seemed alright. The acting was decent, the story was good. And it was good, for the first episode. All that just went downhill. When you watch a show, movie, documentary, cartoon, about a prison break, do you think of a 61 episode series spanning 4 seasons. I mean, you can only have so much to say about a simple plot. Making this enormous television series about a prison break is like making a feature film trilogy about brushing your teeth; sure it’s possible but it would be ridiculously implausible. How can anyone go on about something that should have concluded in the 3rd episode?
Take the greatest prison break movies ever made for instance, Shawshank Redemption, The Great Escape, and documentaries about prison breaks, as well as news reports and so on. And think about their timeframes. The Shawshank Redemption took two and a half hours to tell a story spanning 20 years as well as character side plots and plot twists. “Prison Break”, let’s see 61 episodes x 1 hr per episode that’s 61 hours to tell a painfully long prison break, which isn’t even close to coming to an end.
You might argue the producers wish to put more detail so it seems more interesting, well, THERE is a fine line between details and details you don’t need to know about (also known as bullshit). Take Shawshank Redemption for instance, the details provided in the movie strictly refer to…. Uh let’s see, breaking out of prison, maybe. In a episode of Prison Break, generally speaking, the only part which relates to breaking out of prison is the series title. I mean talk about details like you DON’T need to know like how Sculfield (the protagonist) has to go rescue the prison doctor, whom he has a love affair with, while other members of his gang continue to dig a hole to freedom. Is it just me, or is it a convenient time to have a random love affair with a woman who you barely know, when you have to break your brother out of prison to save him from dying? THAT was only in the first season, the season which just remotely relates to prison breaking. As the series continues, unfortunately, the plot starts revolving around smuggling people out of the country, evading federal agents, and ‘holy mother of the God of Stupidity!’, being incarcerated into another prison which they have to break out of. Seriously folks, if the series title even remotely relates to the series itself, it would be called, “Gang of Prison Breaking Dipshits who have to evade the Corruption of Federal agents while sentimentally reflecting on their Lives and getting caught up in add-on sub-plots”.
I think I have made my point clear (but probably not clear enough as I rushed this article in 30 minutes), the producers of Prison Break suck. They suck because they do not understand the difference between cliché main plots that can sustain 61 plus episodes of add-ons sub-plots and reasonable main plots that cannot. You would have to be somewhat of an imbecile to not see that Prison Break is a run on series that should have ended when the goal was achieved (which was breaking out of Prison). Since Prison Break’s premiere season received good ratings, Fox decided to cash in, they decided to keep the title of the popular series and lose the motif, as well as sensibility. So do quality television programs a favour, don’t buy into add-on sub plots with irrelevant details, DON’T watch prison break!
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